Wolf. 2003-2008, oil painting on linen, plywood shack, ventilation grills, door, 15' x 8' x 5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Wolf. 2003-2008, oil painting on linen, plywood shack, ventilation grills, door, 15' x 8' x 5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Wolf. 2003-2008, oil painting on linen, plywood shack, ventilation grills, door, 15' x 8' x 5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Beauty and the Beast. 2006-2009, oil painting on linen, bed frame, 7' x 6' x 6'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Beauty and the Beast. 2006-2009, oil painting on linen, bed frame, 7' x 6' x 6'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Beauty and the Beast. 2006-2009, oil painting on linen, bed frame, 7' x 6' x 6'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Believers. 2005-2007, oil painting on linen, mirrors, aluminum construction, 7' x 4' x 4'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Believers. 2005-2007, oil painting on linen, mirrors, aluminum construction, 7' x 4' x 4'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Believers. 2005-2007, oil painting on linen, mirrors, aluminum construction, 7' x 4' x 4'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance. 2012, oil painting on linen, aluminum construction, 5.5' x 5.5' x 32'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance. 2012, oil painting on linen, aluminum construction, 5.5' x 5.5' x 32'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance. 2012, oil painting on linen, aluminum construction, 5.5' x 5.5' x 32'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance. 2012, oil painting on linen, aluminum construction, 5.5' x 5.5' x 32'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance. 2012, oil painting on linen, aluminum construction, 5.5' x 5.5' x 32'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance. 2012, oil painting on linen, aluminum construction, 5.5' x 5.5' x 32'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance (The Creation of Man). 2011, oil painting on linen, tables, 5.5' x 6.5' x 7.5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance (The Creation of Man). 2011, oil painting on linen, tables, 5.5' x 6.5' x 7.5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance (The Creation of Man). 2011, oil painting on linen, tables, 5.5' x 6.5' x 7.5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance (The Creation of Man). 2011, oil painting on linen, tables, 5.5' x 6.5' x 7.5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance (The Creation of Man). 2011, oil painting on linen, tables, 5.5' x 6.5' x 7.5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Balance (The Creation of Man). 2011, oil painting on linen, tables, 5.5' x 6.5' x 7.5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Ina. 2008-2011, oil painting on linen, lockers, 8' x 11' x 2'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Ina. 2008-2011, oil painting on linen, lockers, 8' x 11' x 2'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Ina. 2008-2011, oil painting on linen, lockers, 8' x 11' x 2'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Pharaoh. 2005-2007, oil painting on linen, cabinets, crate, 6' x 12' x 3'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Pharaoh. 2005-2007, oil painting on linen, cabinets, crate, 6' x 12' x 3'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Pharaoh. 2005-2007, oil painting on linen, cabinets, crate, 6' x 12' x 3'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Sofia. 1999-2007, oil paintings, sliding doors, 6.5' x 11'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Sofia. 1999-2007, oil paintings, sliding doors, 6.5' x 11'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Sofia. 1999-2007, oil paintings, sliding doors, 6.5' x 11'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Door. 2005-2012, oil paint on linen, chairs, 4' x 7' x 4.5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Door. 2005-2012, oil paint on linen, chairs, 4' x 7' x 4.5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

Door. 2005-2012, oil paint on linen, chairs, 4' x 7' x 4.5'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

V. 2005-2011, oil painting on linen, 6' x 7' x 6'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

V. 2005-2011, oil painting on linen, 6' x 7' x 6'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.

V. 2005-2011, oil painting on linen, 6' x 7' x 6'.
Last Paintings: a test of the paradox of the Pre-Raphaelites, who rejected the artistic conventions of their time but in the end created some of its most enduring art.